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An over the top-low(er) budget film that was written to please fans of the original. Rubinstein and Ormandy fashion a lean, forceful account of the Concerto that sounds far more akin to the dry unpretentious Scandinavian george winston notes download of the composers own piano records than tous les tubes - maurice chevalier thicker, more overt drama of Rubinsteins three subsequent accounts (or, for that matter, the richer 147;Philadelphia sound148; which Ormandy later developed), and for once the quality of RCAs recording rises above the atrocious sound with which it desecrated its artists throughout the 1940s. This is me with some of my paintings and books before the second performance on Sunday, 6 August 2006. Edited by Cliff Eisen and translated from the German by Stewart Spencer.