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It makes you realise just how much forced bonhomie and fake snow, with a lot of it filmed under baking-hot studio lights in August, has been deployed over the last 70-odd years. THAT IS WHAT ATATURK WANTED. Yana opens the watch. The little we have includes Rubinsteins only recording of the Prokofiev (which he presents with unaccustomed warmth), and the other scraps are all more vividly etched than their studio counterparts.