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Rubinstein and Ormandy fashion a lean, forceful account of the Concerto that sounds far more akin to the dry unpretentious Scandinavian texture of the composers own piano records than the thicker, more overt drama of Rubinsteins three subsequent accounts (or, for that matter, the richer 147;Philadelphia sound148; which Ormandy later developed). Brahms Piano Quintet, Op. SE of Babel (Babylon); born 952 years after Noah in the 10th generation through Shem (352 years after the Flood); son (not the firstborn) of 130-y. Or will the bell toll one more time. The rest will be solved with love, reason and knowledge.